![]() You will waste your time seeing DRAG ME TO HELL. Just as bad is the movie’s gruesome, gross violence and the fact that the demon wins in the end. It’s vital to your soul and your happiness and safety that you avoid this movie. Although this movie is hard to take seriously, moviegoers, especially Bible believing Christians, should not dismiss its strong occult worldview. Even then, the movie is so overwrought that it’s really pointless to see it, in theaters or on DVD. It would work better as a half-hour story with a twist. How far will she go to remove the evil curse?ĭRAG ME TO HELL is not strong enough to be a feature-length movie. To get rid of the curse, the woman consults psychics and spiritualist mediums. ![]() In three days, a demon will come and drag the woman to Hell against her will. Because she shamed her at the bank, an elderly gypsy woman curses a female loan officer. The ending is tragic and deeply unsettling, but it adds greatly to the experience of "Drag Me to Hell." After all, Christine's fate was spelled out in the film's title, but we were deftly led to believe otherwise.DRAG ME TO HELL is an over-the-top, disappointing horror movie about a young woman being harassed by a demonic gypsy curse. Yes, Christine is a flawed protagonist and we are invested in her journey, but the way in which Raimi pulls the rug under our feet and delivers a believable yet horrific ending is testimony to his masterful craft. However, the ending does not feel like a cop-out it in fact cements the horror elements embedded within the film. Even when viewed through a moral lens, her actions do not necessarily justify this grotesque end, as she is by no means irredeemable. This twist ending is, in fact, a no-twist, as it fulfills the promise of the film's title, but does so in a way that's brutal, relentless, and shocking.ĭid Christine deserve this? Probably not. A traumatized Clay looks on, horrified, mirroring what the audience feels in this moment. Before she can react, she falls on the train tracks and the earth opens up, melting her skin and dragging her to the depths of hell. However, when Clay hands over an envelope to her, she realizes that she got rid of the wrong button, meaning that the curse hasn't lifted. Despite this, she is eventually dragged to hell. Be it her complicated relationship with food and self-image, the need to compromise her humanity to move forward in a ruthless capitalist system, or the constant class-based shaming she has to undergo courtesy of Clay's parents, Christine has already been through the wringer. This trope of redemption becomes more poignant when juxtaposed against the constant cycles of shame that Christine is burdened with throughout. Christine is, after all, the protagonist, and while her actions haven't been the greatest, she has proven that she's worthy of a happy ending. The climactic, confrontational nature of the gravedigging scene lulls the audience into a false sense of comfort. However, displaying moral integrity, Christine decides to fight for what's right and digs up Sylvia's grave to bury the cursed button. ![]() On learning that the curse can only be lifted if she passes it on to another person, she briefly contemplates giving it to Stu. ![]() Christine becomes driven by genuine guilt and the need to set things right: she understands that she has wronged an old woman despite being in a position to help her. Right after learning that she is cursed, Christine attempts to make amends with Sylvia, but learns that she is dead.
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